![]() That we show the allure of drugs, the relief they can bring, because that’s ultimately what makes them so destructive. Rue is a 17-year-old recovering drug addict struggling to find her place in the world. Please help improve this article by editing it. This section is in need of major improvement. “That we allow for its complexities to play out. Rue Bennett is a non-binary lesbian character from Euphoria. ![]() “I think it’s crucial that film and television portray addiction in an honest way,” Levinson wrote. That’s because I had grown up on DARE officers and media depictions like the outlandish heroin-overdose scene in Pulp Fiction … In contrast, Euphoria seizes the opportunity to educate audiences about the realities of overdose prevention.”Įuphoria creator Sam Levinson based elements of Rue’s journey on personal experience, and believes that the addiction of fiction should reflect reality: I had no idea what naloxone even was for during the majority of my time using. “For all the hubbub, every teenager watching Euphoria at least knows that having naloxone around can save a life. Writing in Vulture, Zachary Siegel argues that Euphoria’s depiction of drug abuse includes crucial lessons in harm reduction, citing the correct treatment of Rue’s overdose from fentanyl during one particularly memorable scene: ![]() The moral failings of fiction are far easier to fix than systemic issues like drug addiction. Stories influence our personalities and interests, but they exist inside the reality that created them context and environment must also be taken into account. Media and culture does indeed influence us (there’s no doubt of that), but during such debates, the degree to which is often overstated. Well, it’s a well-worn debate, usually sparked over violence in film and video games, responsible for some of the most tedious discourse that exists online, the domain of prudes, puritans and concerned parents. But at what point does depiction equal endorsement?
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